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New NYC Art Exhibit Shows Genderfluid Japan

This titillating exhibit features everything from boy love to lesbian sex.
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What do you think of when you think of Japan?

You might think of rigid gender binaries where men love women so much that they fall in love with pillows with images of women printed on them. You might think of the sharp divide between shonen, which are cartoons aimed at boys, and which deal with fighting and battles, and shojo, which are aimed at teen girls and almost always deal with relationships and love. You might think of geishas, professional female entertainers in thick makeup.

But not too long ago, Japan led the way in blurring gender binaries.

Between 1603 and 1868, when American colonists were burning witches at the stake and English women were being locked up for “hysteria,” Japan was exploring fluid ideas of gender and sexuality.

Teenage boys called wakashu dressed extremely effeminately. Japanese people considered them a third gender, and men and women both pursued (and were pursued by) them sexually. When wakashu grew out of adolescence then they, too, could pursue wakashu.

This is much like “boy love” in Ancient Greece, except for one distinct difference – women too could sleep with wakashu, indicating that Japanese people thought of both sexuality and gender as loose guidelines instead of strict boundaries. People didn’t have to be married to have sex, and sex was far from purely procreative.

Curve Magazine remarks that in Edo culture, “homo-eroticism, androgyny, gender ambiguity and bisexuality flourished and were encouraged.” Women slept with each other as often as they did men.

A new NY exhibition called A Third Gender: Beautiful Youths in Japanese Prints explores the history more thoroughly in order to shine the light on non-Western ideas of sex and sexuality. Clearly, Puritan Christian rules were not the norm everywhere.

The exhibition features books, woodblock prints, paintings and “lovely objects.” One of the most prominent features of the exhibit is a large, colored woodblock that features two Edo-era women using a dildo.

Learn more about the exhibit here.

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J. Marie graduated from Duke University with a degree in International Relations and dreams of being a creative writer–dreams she’s now realizing as a musical theatre writer in NYC. She’s passionate about global black identities, black representation in media, and leather-bound notebooks. She also loves backpacking through a new country at a moment’s notice, and speaks Spanish, Swahili and Standard Arabic.

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