Tag Archives: horror film

Dee Rees Teams With ‘Get Out’ Producer For Horror About Black Lesbians In Rural America

Screenwriter Dee Rees and Get Out Producer Jason Blum are joining forces for what should be a one-of-a-kind movie that speaks to the terror of homophobia, sexism and racism, at the very least.

Blum made a name for himself as one of Hollywood’s most prolific horror producers, having recently worked on Get Out, Split, and The Purge.

Rees directed the Pariah, which centres on a young black lesbian coming to terms with her sexuality and familial rejection. She also earned a Golden Globe nomination for the biopic Bessie, about 1920s queer blues singer Bessie Smith staring Queen Latifah.

The duo apparently met at the Sundance Institute while giving speeches, Rees approaching Blum and offering a movie pitch:

You’ve got me and my wife, two black lesbians, and when we first moved in, we fought every day over all these little things: ‘Why is this over there? Did you move that?’

Maybe it was a ghost. Or maybe it was some other force — like us not wanting to be there or fitting in. Anyway, that’s my horror-movie pitch.”

Blum immediately replied the two should work together, with The Tracking Board confirming they had indeed signed a deal soon after the initial meeting.

3 Queer Horror Movies (and 1 Web Series) to Have on Your Radar

The latest frontier of queer activism is queer horror.

Okay, bear with me. How is having gay people in horror movies revolutionary? After all, gay people have always been in horror movies, usually as the villain or as a joke – remember in American Psycho, when the psychopathic serial killer is so repulsed by a gay character that he can’t kill him?

But queer horror is different. It’s horror centering around queer people and their struggles, sometimes told metaphorically, sometimes told in a straight-forward way.

For example, Two Sentence Horror Stories combines the chilling technothriller vibe of Black Mirror with the everyday horrors faced by queer people, like homophobia. The result is a creeping horror show that feels gut-wrenchingly real even though it’s also supernatural.

Queer horror is taking to the big screen as well. Kristen Stewart, everyone’s favorite soulless android-turned-badass lesbian, is currently starring in Olivier Assayas’ edgy mystery-horror ghost story, Personal Shopper.

According to Fader, Stewart “plays a spiritually traumatized assistant with a thing for dressing up in her celebrity boss’ clothes.”

Her characters’ androgyny adds a certain queer gaze to the film; what’s life like for this gender-nonconforming character, and how does her sexuality and gender presentation affect the way that she perceives things like the random slasher scene that cuts through the center of the film?

The Blackcoat’s Daughter is more explicitly lesbian – a “wintry horror” starring Emma Roberts and Kiernan Shipka (Sally Draper from Mad Men), and distributed by the same production house as Moonlight. After being possessed by the devil in a boiler room, Shipka stalks the other girls at her boarding school, consumed with lust and desire. (“You smell pretty,” she growls.)

Then there’s Raw, a French film about cannibalism and queer identities. On the surface, that sounds crazy. But, somehow, it works.

https://www.youtube.com/watch?v=fHLJ7TH4ybw

Queer horror is important because it illustrates just how violent and terrifying the world can be to a queer person on an everyday basis. Walking down the street, being ourselves, falling in love – we’re often killed for that. The world is horrifying. Finally, this genre lets us share our fears with the world.

Babadook Director’s New Movie will be the Tragic Lesbian Love Story ‘Alice + Freda Forever’

Last year’s film The Babadook was one of the scariest things on the block.

Alice + Freda Forever

The movie was a psychological horror about a single mother raising her son alone after her husband was killed in a car accident as he drove her to the hospital to give birth. The boy struggled to sleep and and often talked about an imaginary monster; and after reading a storybook called Mister Babadook, the boy becomes convinced that the Babadook is stalking them.

The Babadook

 

It was a horrific story that certainly caused a few restless nights, but director and writer Jennifer Kent earned heaps of praise for it.

The success and critical acclaim of that film also makes Kent the perfect person to helm Alice + Freda Forever which, despite its name and its ‘tragic gay love story’ description, is just as psychologically troubling and as uncomfortable to hear about as that of The Babadook.

 

Alice + Freda Forever is actually based on a book of the same name, about a real-life 19th century event in which Alice Mitchell, a 19 year old girl from Tennessee, pretended to be a man in order to marry her girlfriend, 17 year old Freda Ward.

Per the tragic side of that love story, things went horribly wrong when someone discovered their love letters and so Alice and Freda were forced to split up and stop contacting each other.

Alice persevered though, continuing to send Freda messages, but when the other girl didn’t reply Alice slashed Freda’s throat with a razor and killed her. As a result of Freda’s murder (and due to her lesbianism), Alice was soon put into an insane asylum, though she died several years later under ‘mysterious circumstances’.

Alice + Freda Forever 02

The situation is also one of the things that sparked the United States’ unfortunate fascination with lesbians as well as the idea that lesbians prey on other women or are inherently violent or mentally ill.

In the 20th century we saw ‘pulp’ novels pop up, with the stories typically involving a butch lesbian and a femme lesbian getting together before one (or both) of them died or left the other for a man. It is widely believed that Alice and Freda’s story is what inspired these books.

Framing the historical context of Alice and Freda’s story will be key to how good or accurate the film is – after all, there is no shortage of dead lesbians or lesbians being treated badly in modern day media.

Producer Sarah Schechter is convinced Kent can pull it off though, as she told Variety that “Jennifer’s debut film was one of the most accomplished I have ever seen and I’m thrilled she shares the same passion for telling this powerful, intense and unfortunately still timely story”.

There’s no word yet on who will play the two women or when the film will be released, but we’ll keep you posted once we know more.