Tag Archives: LGBTQ characters

The New LGBTQ Comedy ‘Chapstick’ Brings Some Light Hearted Fun To Our Lives

A new web series, Chapstick, explores the lives of two best friends, Marlo and Addy, and their daily struggles of being artists, being women and being gay. They often find themselves in funny situations but manage to smile through it all as they rely on each other for support. Chapstick is based in Chicago and the aim of the series is to normalize LGBTQ characters but still maintain the roots that lie within the community.

castphoto-30342a05

The creators of the series, Charlotte Kennet and Kearney Fagan also write, direct and act in every episode. The entire cast and crew are made up from individuals that identify as LGBTQ and every character is played by an LGBTQ actor. The pair wanted to provide more comedy for LBGTQ people and they are both involved in the comedy community in Chicago. This is the biggest comedy project the women have worked on and they are determined to continue to produce dynamic and interesting comedic content for season two.

The entire season can now be watched online via youtube so if you are looking for a chuckle, head on over and check it out.

Connect with Chapstick on Facebook, Twitter, Instagram, and Tumblr

https://www.youtube.com/watch?v=YindanKG8lE

7 TV Shows That Treat LGBT Characters Fairly

As far as queer representation in television goes, it’s a really hit-and-miss game. Some characters are so gay that it hurts, while others play into that “bi-curious phase” stigma that affects so much of our bisexual family. No matter what the specific problem is, it’s really hard to find a show that actually treats their LGBT characters fairly. (And, by “fairly”, we mean like real people – not like plot devices.)

What is so hard about making a believable queer character? Especially since we must assume that they’re putting them in their shows for their queer audience. Like we’re not going to notice that they’re a terrible caricature of us. Give me a break.

Thankfully, there are some shows that treat their LGBT characters the way we want them treated. I’ve gathered a list of 7 shows that get it right, based entirely on my own perspective. I’m well aware that there are other shows with gay and bisexual characters in them, but I don’t watch every single one. Hopefully my list will help you find a new favorite – or drop the name of one I’ve missed down in the comments!

(Note: For the sake of simplicity, I’m leaving out shows which feature primarily queer characters. Sorry, OitNB – I’ll show you some love later on, I promise. Also, understandably, this post may contain spoilers, so read at your own risk.)


1. American Horror Story

While AHS might not be the pinnacle of queer entertainment, there are queer characters throughout the seasons.

tumblr_n19ug3FYlW1rrl0mgo2_500

These characters aren’t “special snowflakes” (usually) or sacrificed for the sake of ratings – they are no more or less likely to die than their straight counterparts.

As a huge horror media junkie, seeing queer characters placed organically within the storyline makes me happy – even if I know they’re going to die in the end.

tumblr_nwm103fXc31r3fv6wo1_500


2. Pretty Little Liars

While PLL loses some points for their “dramatic reveal” of the mentally-ill transgendered character being the big villain, they do win some of those points back for their portrayal of Emily Fields and her many love interests throughout the show.

tumblr_mf4shufo2U1rnda0mo1_500

Emily’s character is relatable because her sexual identity isn’t her only identity – it’s just one of the facets of her life. She shows that lesbians fall in love, have straight friends, and stress about the crazy shit in their lives, just like everyone else, and that we can also look smoking hot while doing it.

giphy (24)


3. Scream

I’ll admit: I’m a major slasher nerd. So when I heard that Scream was being remade into a TV series, I was ecstatic. When I found out that one of the main characters was not exactly straight, I was even more ecstatic.

tumblr_nw844j42SM1swqz28o5_540

Audrey Jensen’s character identifies as bi-curious, but she’s explored her sexuality a bit off the camera. What I love even more about her is that her BFFs, Emma Duval and Noah Foster, don’t push her to identify a certain way – making them awesome allies, too.

tumblr_inline_nrqz4lDPYS1txk1l4_500


4. Orphan Black

Okay, so I was way, way late coming to the OB fandom (so late, in fact, that I binge-watched the first three seasons within about a week so I could catch up for the season four premiere… ahem), but the reputation held by CoPhine (Cosima and Delphine, for non-fans) had already drawn me in before I watched that first episode.

tumblr_n28ntnpRqv1tutjoko1_500

I could berate the writers for using Delphine to queerbait Cosima and the viewers, but instead I’ll point out how both Cosima and Tony exist as real people who just happen to be lesbian and transgender, respectively.

gay2


5. Adventure Time

Let’s talk about Princess Bubblegum and Marceline for a minute. These aren’t exactly your run-of-the-mill bisexual characters – and, like pretty much all bisexual characters on TV, ever, they don’t actually say the word.

tumblr_mjd1uebhto1rkiy6bo2_500

Even with this subtle bi erasure, it’s great that there are cartoons that show that being bisexual is really NBD.

anigif_enhanced-16394-1408039694-5


6. Real O’Neals

Unlike the other shows on this list, Real O’Neals is actually about being gay and discriminated against, but the way they handle it is so beautiful that it deserves its own recognition.

tumblr_o3i28s9lwc1v8o7j5o2_500

While Kenny O’Neal’s character does play on quite a few stereotypes about gay young men, it also deals with the all-too-important message of accepting and loving yourself, and the idea that your family will come around to it, eventually. (And, if not, it’s their loss.)


7. Steven Universe

For the longest time, I tried to pretend I didn’t like Steven Universe. It’s really hard for me to find animated series’ that I’ll actively watch, as opposed to leaving them on for background noise. Still, I was shocked (in the best way possible) to see their treatment of queer characters.

tumblr_nl4efdy0JW1u1e188o1_5001 (1)

The fact that two of the main characters are in a committed and loving same-sex relationship with one another, so committed that they become one entity… I suppose it could be argued that they’re playing on the stereotypical lesbian “urge to merge”, but I don’t care. I love them anyway.

Why Queer Character Deaths Always Matter

It might not seem like the death of any character is more monumental than any other. In fact, up until pretty recently, I thought that was the case, too. But after I noticed that all of my favorite queer characters were being killed off in the most dramatic way possible.

It’s always either AIDs, bullying/murder, or… You know… The arrow through the back of the head.

No spoilers here, but… That one actually caught me off-guard. I’m pretty sure I actually jumped because it was completely out of left field (literally and figuratively). I read up and found that it was essentially just a variation of the source material, and I was satisfied for a minute.

Which is probably what the producers were going for.

It seems like a minor difference to switch up a character who’s going to be killed off, but circumstantially, swapping a straight character’s death for a queer character’s death is adding yet another name to a long list of statistically doomed characters.

When we’re fighting as hard as we are for adequate representation, killing off the characters that embody everything we’re looking for in our queer characters: The strong, relatable ones that have more going for them than just sex and short skirts. (Not that there’s anything wrong with those characters, either, but statistically they’ll probably be killed off, too.)

Do we just feel like more gay characters die, because there aren’t as many of them?

That’s what I thought at first – after all, with only a handful of lesbians on the line-up until OITNB comes back, each one is automatically a larger portion – one out of five feels like more than five out of a hundred.

But Autostraddle did the math on this one, and it’s actually a little deeper than that.

According to them, there have been 147 lesbian and bisexual female characters who died on TV. And these are becoming more and more frequently as we have more queer female characters on television.

This is to be expected, especially when you factor in shows like The L Word where 99% of the cast plays queer female characters, or shows like American Horror Story and Scream Queens where every episode you’re basically betting on who’s going to die today.

But if those numbers still sound pretty high, they are.

According to a different list from Autostraddle, the number of queer female characters who ended up with happy endings: 29. Many of these were couples, which counts as “two characters” but only one happy ending – and, all in all, only 15 shows had happy endings for their lesbian and bisexual characters.

AUTOSTRADDLE-tv-death-6

A quick flip through both lists is a bit devastating, honestly. We’re definitely not saying that queer characters need to be invincible – but they shouldn’t be killed off just for a plot twist. Let their deaths have meaning.

Let us mourn their deaths, instead of just getting angry with the writers!

New Transparent Trailer Will Get You Hyped for Season 2

Transparent season one was one of the brightest and best series to light up our screens last season.

In the first 10 episodes of the show, viewers are introduced to the dysfunctional Pfefferman family. In addition to mom Shelly, there’s queer daughter Sarah who leaves her husband for her ex-girlfriend, brother Josh who has a lot of growing up to do and youngest daughter Ali who is best described as ‘aimless’.

But the real focus of the show is that of their dad (‘moppa’) Maura who comes out to the rest of the family as a trans woman.

While the Pfeffermans are certainly unlikeable at times, the show, and Maura’s story in particular are honest, emotional and feel quite real and relatable (if not uncomfortably so at points).

Transparent Season 01

The Amazon Prime series is so good that itit has won multiple Golden Globes and Emmys; with the show’s creator Jill Soloway making headlines for her winners speech which addressed the United States’ trans civil rights problem.

With the first series of the show breaking so much ground, fans have been eager to get their eyes on Transparent season two.

S2 will kick off more or less right where we left it with the trailer offering us a glimpse of Sarah and Tammy’s wedding (which takes place in the season two premiere). But sadly, it doesn’t look like it goes well for everybody when the wedding photographer misgenders Maura, referring to her as “sir”.

In the episodes that follow, it doesn’t look like things get any easier for the members of the Pfefferman family either.

Transparent Season 2

Maura, who continues to embrace her identity as a trans woman, spends a lot of time laughing and hanging out with her fellow trans pals but we also see another family member lash out at her, telling her not to let her mother see her as a trans woman.

Meanwhile, Sarah seems to be hanging around her ex-husband (following on from their unresolved tension in season one), Josh and Raquel (despite having made up after that argument in the season one finale) may be on the rocks again, and while it’s unclear what’s going on with Ali other than swimming and getting a haircut, fans will be happy to see the entire family’s return.

Transparent season two returns in full on December 11, though the season two premiere is currently available via Amazon Prime Video.

https://www.youtube.com/watch?v=CluxHR9pkdQ

Must Watch, Lost Girl Season 5 Promo Finally Out

While the announcement of Lost Girl’s end has come as a shock for its many fans, for those who have been watching the Canada-made series since its introduction in 2010, it’s not a completely bad thing either.

In the past four series Lost Girl has prided itself on unbridled sexuality, queer identity and sheer ass-kicking power from both the guys and the girls.

Sexualities in the show aren’t labelled – Bo is seen as bisexual as she feeds off of sexual energy to heal herself and she takes both male and female lovers, most notably the human doctor, Dr. Lauren Lewis and shape-shifting wolf, Dyson, but neither the character nor the show ever says ‘gay’ or ‘bisexual’ to describe themselves or anyone else.

It’s that in part that’s made it such a hit but admittedly, even with the popular Bo/Dyson/Lauren love triangle at its core and each episode weaving a tale of supernatural intrigue, the love for Lost Girl has waned a little.

Lost-Girl-to-End-After-Season-01

Lost-Girl-01

Season 1 was a popular introduction to the somewhat Buffy-esque show and it aired in 13 episodes, but in Season 2 there were 22 episodes and by Season 3 of Lost Girl came around, the show had lost a showrunner (series creator Michelle Lovretta) and the long season seen previously had seen Lost Girl lose a bit of its sheen. Emily Andras was showrunner for Season 3 and 4 but for many fans the plot seemed to grate or bore depending on their attention span. So it’s good that Season 5 will be the end then and it too has another new showrunner, with Andras leaving recently. When it airs the first of its final episodes this December we’ll be able to give a good send off to an iconic piece of queer media.

Lost Girl Faewell – Weirdest Moments

Lost Girl Season 5 Will Be Its Last, Cast and Crew Announces

As it stands, the figures for LGBTQ characters in our media are improving. Across shows like Pretty Little Liars and The Fosters, we can see queer, female characters of various races whilst shows like Elementary and Orange is the New Black both feature trans women of colour in minor and recurring roles (respectively). This a long way away from The L Word’s insistence on mostly white faces and occasional transphobia while even Glee has gotten it wrong with its gay, male creator managing to offend queer ladies rather than understand queer female identities.

It’s also a 180 degree turn from ‘sweeps bisexuals’ in which characters (usually female) got same gender lovers for one episode before the love interests were sacrilegiously thrown aside and never mentioned again, all for the sake of slightly boosted ratings. Lost Girl never did that though, its protagonist Bo being a bold, bisexual beacon for us all to turn to. But now, as we gear up to its fifth season Lost Girl’s upcoming run of episodes will be its last.

While the announcement of Lost Girl’s end has come as a shock for its many fans, for those who have been watching the Canada-made series since its introduction in 2010, it’s not a completely bad thing either.

In the past four series Lost Girl has prided itself on unbridled sexuality, queer identity and sheer ass-kicking power from both the guys and the girls. Sexualities in the show aren’t labelled – Bo is seen as bisexual as she feeds off of sexual energy to heal herself and she takes both male and female lovers, most notably the human doctor, Dr. Lauren Lewis and shape-shifting wolf, Dyson, but neither the character nor the show ever says ‘gay’ or ‘bisexual’ to describe themselves or anyone else.

It’s that in part that’s made it such a hit but admittedly, even with the popular Bo/Dyson/Lauren love triangle at its core and each episode weaving a tale of supernatural intrigue, the love for Lost Girl has waned a little.

Season 1 was a popular introduction to the somewhat Buffy-esque show and it aired in 13 episodes, but in Season 2 there were 22 episodes and by Season 3 of Lost Girl came around, the show had lost a showrunner (series creator Michelle Lovretta) and the long season seen previously had seen Lost Girl lose a bit of its sheen. Emily Andras was showrunner for Season 3 and 4 but for many fans the plot seemed to grate or bore depending on their attention span. So it’s good that Season 5 will be the end then and it too has another new showrunner, with Andras leaving recently. When it airs the first of its final episodes this December we’ll be able to give a good send off to an iconic piece of queer media.