Tag Archives: Summertime

‘In Hiding’ Is An Unlikely Queer Drama Set In WW2 Poland

Over the past few we’ve really ramped up our coverage of European LGBT films. There’s Italian romcom Io e Lei, French, 70s drama Summertime and then there’s the Danish/Slovenian title, Dual.

While the characters of these films have their own conflicts, whether that be parents or language barriers, they each give you something to smile about.

But much less can be said about In Hiding, the 2013 film about two women who end up living together during World War 2. Indeed, with one of the women (Ester, played by Julia Pogrebinska) being Jewish and having to live in hiding with Janka (played by Magdalena Boczarska) and her father, it was never going to be easy for them to get by.


The fear of being arrested by the Nazi regime – and therefore their inability to leave the house together – is just one of the things that threaten to get between the two leads of In Hiding, however.

Namely, there’s the fact that Janka didn’t want Ester to stay with her and her dad in the first place, not wanting to put her own life in danger for a Jewish girl and on top of that there’s the fact that both Janka and Ester have boyfriends.


As the film progresses, and Janka’s dad disappears, In Hiding’s protagonists do warm up to each other and Janka does ditch her boyfriend (though Ester is clearly still into hers). But even then it’s not easy for them to just be in love and wait the war out because a neighbour moves into the apartment next to them and threatens to rat them out.


And on top of that even after they overcome the neighbour’s blackmailing schemes and the two women do hook up, Janka remains concerned that someone will discover the fact that she’s hiding Ester or that Ester will discover that in the time that they’ve been living together, the war has actually ended and Ester will go back to her boyfriend.


Yes, this film isn’t as bright and shiny as one would have hoped (though could two women in love ever really thrive in such a setting) but some have called it downright troubling.

The lies and the deceit (which some have, perhaps rightfully, called emotional abuse) are enough to turn you off the couple and though you can try and hold on and hold out for the more loving moments between Janka and Ester, the film switches back to the drama quickly it’ll give you whiplash.


That’s not to say that it’s a bad film as not every film needs to be a lovefest (though reviews all agree that In Hiding is just plain average) but it is seriously flawed and its attempts to get viewers to fall for this pairing are futile.

French Lesbian Drama ‘Summertime’ Is All The About 1970s And Two Women In Love

It’s a well spoken about fact that Hollywood is rubbish with queer female representation, which is why we’ve recently been looking at the movie scene in mainland Europe to help fill the void.

In addition to Breathe, Mélanie Laurent’s film about two women in a relationship turned twisted, there’s also Dual, about two women who fall in love despite a language barrier and of course, there’s the film that made waves just two short years ago, Blue Is The Warmest Colour.

It’s that last movie that new French film Summertime (La Belle Saison) is being compared to, not just for the obvious language similarity, but because of how beautifully it’s shot.

Summertime 05

Set in the 1970s, Summertime stars a young woman named Delphine (played by Izïa Higelin) who leaves her parents’ farm in the South of France to go and live in the big city.

It’s in Paris where she meets Carole (played by Cécile de France), who is part of the local feminist group. Carole also has a boyfriend, but that doesn’t stop Delphine from falling for her, hard, and it certainly doesn’t stop Carole from falling for Delphine right back.
Summertime 04

The dramatic side of things occurs when Delphine’s father gets sick and she has to move back to the farm to be with him.

Then, there’s double the drama when Delphine’s mother encourages her to marry their male neighbour, Antoine. That leaves Delphine with a choice; bow to her mother’s wishes and leave the woman she loves, or stay with her and risk disappointing her mother?

Despite this conflict, there are plenty of moments where we see Delphine and Carole happy and in love.

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Those who were lucky enough to see Summertime when it was shown at TIFF (Toronto International Film Festival) have called the relationship both beautiful and sexy. The Mary Sue‘s film reviewer even calls it “one of the sexiest movies [they’ve] ever seen”.

Unlike Blue Is The Warmest Colour‘s infamous love scene, which was terribly bad to the point where it was offensive, Summertime’s love scenes are well-staged and look as though the two women are madly in love, rather than being made to cater to the male gaze.

Much of that is probably down to the director, Catherine Corsini, who is gay and made the film with her partner, and thankfully, Summertime is all the better for it.